It’s no secret that Iron Maiden are not the biggest fans of Sharon Osbourne. When the NWOBHM legends performed at Ozzfest, the band clashed with Sharon. Now, frontman Bruce Dickinson has taken a moment during a recent spoken-word engagement to say that he doesn’t think Black Sabbath exists without founding drummer Bill Ward — and that he thinks Sharon is the one to blame.
As published by Blabbermouth, during his March 3rd spoken-word engagement at the Palace Of Fine Arts in San Francisco, California, Dickinson was asked what he thought about Black Sabbath existing without Bill Ward. The singer didn’t mince words:
“I’m a massive lover of Bill Ward’s drumming style, I think it’s inspired. ‘Cause he’s not really a rock drummer; he’s more like a jazz drummer playing rock. And I love that kind of style, it’s kind of like drums that kind of wander around the rhythm and everything else. But he’s on it, he’s brilliant. And I met him. He’s a lovely bloke as well. Slightly mad, but very nice. But then aren’t we all? All of us are on the madness spectrum a little bit.”
“Does Black Sabbath exist without Bill Ward? Well, it’s not a matter of… I don’t think Black Sabbath exist at all now. I think Sharon’s made sure of that.”
Bruce has some truth and we all agree with him. The omission of Bill Ward from Black Sabbath’s final album and tour felt really weird and out of place, especially with how often the presence of Tony Iommi and Geezer Butler was touted as making this the “original” Black Sabbath. Then again, knowing Dickinson’s previous beef with Ozzy, Sharon, and their whole organisation, this feels a little like berating someone to a captive audience.
Go see Iron Maiden live:
5/22 – Zagreb, CROATIA – Arena Zagreb (Lord of the Lost) [tickets] 5/24 – Belgrade, SERBIA – Stark Arena (Lord of the Lost) [tickets] 5/26 – Bucharest, ROMANIA – Romexpo Open Air (Lord of the Lost) [tickets] 6/13 – Sofia, BULGARIA – Arena Armeec (Lord of the Lost) [tickets] 6/16 – Athens, GREECE – Olympic Stadium (Airbourne & Lord of the Lost) [tickets] 9/7 – Mexico City, MEXICO – Foro Sol (Special Guests to be announced) [tickets] 9/11 – El Paso, TX, USA – Don Haskins Center (Trivium) [tickets] 9/13 – Austin, TX, USA – Moody Center (Trivium) [tickets] 9/15 – Tulsa, OK, USA – BOK Center (Trivium) [tickets] 9/17 – Denver, CO, USA – Ball Arena (Trivium) [tickets] 9/19 – Salt Lake City, UT, USA – USANA Amphitheatre (Trivium) [tickets] 9/21 – Anaheim, CA, USA – Honda Center (Trivium) [tickets] 9/25 – Chula Vista, CA, USA – North Island Credit Union Amphitheatre (Trivium) [tickets] 9/27 – Concord, CA, USA – Concord Pavilion (Trivium) [tickets] 9/29 – Seattle, WA, USA – Climate Pledge Arena (Trivium) [tickets] 9/30 – Spokane, WA, USA – Spokane Arena (Trivium) [tickets] 10/3 – Sioux Falls, SD, USA – Denny Sanford Premier Center (Within Temptation) [tickets] 10/5 – Chicago, IL, USA – United Center (Within Temptation) [tickets] 10/7 – Columbus, OH, USA – Nationwide Arena (Within Temptation) [tickets] 10/9 – Detroit, MI, USA – Little Caesars Arena (Within Temptation) [tickets] 10/11 – Toronto, ON, CANADA – Scotiabank Centre (Within Temptation) [tickets] 10/12 – Hamilton, ON, CANADA – FirstOntario Centre (Within Temptation) [tickets] 10/15 – Ottawa, ON, CANADA – Canadian Tire Centre (Within Temptation) [tickets] 10/17 – Worcester, MA, USA – DCU Center (Within Temptation) [tickets] 10/19 – Belmont Park, NY, USA – UBS Arena (Within Temptation) [tickets] 10/21 – Newark, NJ, USA – Prudential Center (Within Temptation) [tickets] 10/23 – Washington, DC, USA – Capital One Arena (Within Temptation) [tickets] 10/25 – Greensboro, NC, USA – Greensboro Coliseum (Within Temptation) [tickets] 10/27 – Tampa, FL, USA – Amalie Arena (Within Temptation) [tickets]
Rammstein announced their new album, Zeit, will be available on April 29, and have unveiled the title-track as the first glimpse of their eighth album.
Directed by Robert Gwisdek, the video is available on the band’s YouTube channel now.
The album cover was photographed by Canadian musician and photographer Bryan Adams – as in, (Summer Of 69), Yes you heard that right.
After the intensifying rush of Beirut Metal Fest back in September, the scene was once again gifted with a sick line up of a gig. And the best part about it? It was completely free!
Organized by the Skull Session team, Skull Session 2018 was held at The Palace, Hamra, on November 17, 2018. In case you don’t know who Skull Session is, they have been around for around 3 years, and have been working towards bettering our scene every year. They hosted the first free concert in 2016 (Read review here), which proved to be a very successful start. In 2017, they brought British thrashers Onslaught (read review here), and today they have again given our scene a free gig to enjoy.
Photo By Sam Baghdo Drum Cam – Check out our Gallery >here<
As always, they never fail at giving us a great event, making sure that everything goes smoothly, and try to maximize comfort for both the crowd and the bands. Adapt’s guitarist, Mohammad Yatim, posted this on his Facebook page as proof of this “…not only was it professionally executed, the treatment was excellent. Not a single request was denied, and while we were merely an opening band you guys supported all of us since day one and worked hard to get all people to watch us.” So props to that!
First off, I would just like to take a moment to appreciate the location. A really big thumbs up to the venue. It was big and spacious, and there was pretty good ventilation. Smoking was allowed inside, and my eyes began to burn a little bit, but that’s normal. It was still more tolerable than any other venue I’ve been to which allowed smoking. The stage was big and could be seen clearly from anywhere you decided to stand, thanks to the venue’s stair structure. That could, however, also be considered a bad thing since people move a lot in Metal concerts and when they were moshing, it was a bit scary watching them because I was worried that someone would fall and hit their head on the edge of the stair or something. They did say moshing was not allowed, but hah, yeah right! I also found that the location of the bar was convenient, it was at the back of the venue, right as you walk in, with lots of space around it so it wasn’t crammed and you could enjoy the view of the stage from the back. Speaking about that…the sound wasn’t so good back there.
The sound was overall very good, and I think the sound was improving as the event went on, since there were constant tweakings here and there. However, I felt like it wasn’t uniform, as the back of the venue sounded too bassy and instruments were not as clear. But as you got closer to the stage, the sound got better, specially mid way, where the sound was best.
To accompany sound, lighting was cool. Nothing too fancy, but I did love the screens on the stage and the fire machines. Those were the highlight of my night. They made me laugh at times because every time a flame would pop up and a band member would be headbanging, it would look like their head was on fire.
The event started a bit late, and the doors opened around 7 p.m. , but people went in to find a screening of the first episode of Sam Dunn’s series Metal Evolution. By 7:30, it was time for the first band – Adapt. Adapt is a new band in the scene, and Skull Session was their first appearance! So, to introduce you to them they are Mario Ghadban (vocals), Mohamad Yatim (lead guitars), Jack Khamo (rhythm guitars), Sergio Ashjian (bass) and Samer Baghdo (dums). They played Gojira covers and they were fucking awesome! All the members are really talented musicians, and they were able to deliver a very solid show. I also liked that Mario had his own thing going on with the bloody makeup, many bands usually disregard stage props/outfits/image, but I think it is really important and I’m glad that they did take that into consideration. He also pulled out an axe when they performed their last Gojira cover of “The Axe”, which he used as a mic. I cannot judge them harshly, because as I mentioned it was their first appearance, and I am not sure if they have had previous experience individually on a stage before, but they should be more comfortable on the stage and try to move around some more. Their musicianship is excellent, so their comfort on stage would compliment that perfectly. I can see great things happening with this band, I can’t wait to hear some original material! Adapt, you kicked ass! Best of luck to your future.
DeathTone was the second band to perform. It’s really sad that they don’t have any recorded material out, but I guess that makes their shows special and something to look forward to. Most of the people in the crowd knew their songs from previous events, so they were singing along and moshing and having a pretty good time. Their performance was great, specially their front man, Anwar, who was engaging with the crowd all the time. His stage attitude is one of my personal favorites when it comes to local bands. The only thing that bugged me was that the left side of the stage was empty since the guitarist and bassist were standing on one side. I would have liked to see the other members move around a little more, but overall it was pretty neat. Record your shit, DeathTone! We can’t keep waiting for you to go live. *cries*
What was really cool was that the bands went off and on stage so smoothly, and didn’t make you wait for ages for the next band to start. That’s usually rare. Thumbs up to time management! I did step outside for a few minutes before the next band went on, and I couldn’t help but notice that there were a lot of new and fresh faces who came to see the show. That is always something positive and I hope that we keep seeing even more people attending metal concerts.
Nocturna were on next, and their symphonic melodies were a perfect refreshment. I think that it was my first time watching them, and I found them to be really good. The style is not my favorite, but as a band in their genre I think they are very good at what they do. Their stage presence is also very strong and crowd engaging. Something went wrong with the sound during their 3rd song I believe, and there was only one guitar that could be heard playing. The problem was solved in a few seconds, however, and it was great to see that the crowd reacted positively and actually cheered rather than complained. They also played Amon Amarth’s Twilight of the Thundergods which was bomb and got everyone excited!
AM I BLAAACKyum! What can I say? Like I don’t even need to review this band. Their drummer warms up to Meshuggah’s Bleed. The coolest thing though? They performed a new song called Rise of Canaan, which was really catchy and had some awesome riffs. But that’s not all. They surprised us with a little something called a video clip, which was being shot right there! I don’t think anyone didn’t get excited about that, and it’s such an awesome thing that they decided to do it in their home land. They also payed a tribute to our lost brothers and sisters in the metal community with their song We Who Are Dead. It was emotional looking at their photos on the screen, but it’s such a beautiful way of bringing them back, to a place they would have loved to be in, and I thank Blaakyum for that. Speaking of screens, they had snippets from parts of The Lord of the Rings movie, which I didn’t quite understand and thought that they were odd. And why the hell was there fire and smoke near Hassan (drummer)? I thought he was gonna suffocate. I asked him about that later, but he said “Nah, but I was worried about the electrical wires because they were so close”. Yeah, that shit is scary! Blaakyum are such an amazing band to watch live, their presence is so in-capturing and Bassem is such a funny man, always making jokes and making the crowd laugh. I’d watch them all night and never get fed up. So much love and respect to them!.
Finally, the last band of the evening was Phenomy! To be quite honest, I was really surprised by their performance. I heard their 2nd album T.W.O when it first got out and I thought it was a pretty good album, but lacked some elements that I usually look for. But watching them during Skull Session made me want to re-listen to the album, because they were pretty amazing. Oh, and let us not forget the awesome percussionists on the djembes who played during Threaten World Order, Fear Not, and Dance of the Wounded Souls! They added such an awesome dynamic to the whole performance, and it was something new for our local scene. And those breakdowns, boy did they break all hell loose. And I would have jumped into those intense moshpits if it wasn’t for my fear of the stairs (mentioned at the beginning of this review) haha. What I love about Phenomy on stage is that they always look like they’re having fun, like even when Sam is trying to look like a badass, he’ll pull a goofy face once in a while. I also have to point out that Sam’s performance as a front man has improved tremendously, and his voice has gotten so good! I remember watching him the first time with Phenomy in 2016 during the Christmas Mission at Quadrangle, where he was a guest vocalist, and was singing kind of a soft clean song. I did really like his voice back then, but felt like maybe he wasn’t very comfortable. There has a been a huge improvement on his part, and I commend him for his awesome advancement, and feel like he completes Phenomy. And as I mentioned before, bands who take into consideration their stage image always have the advantage. They had some pretty wicked stage props, the voodoo dolls hanging from the ceiling and their little Tiki mic stand with glowing eyes looked so cool! They were all hand made by Lourdes Mehanna, who is such a talented artist! They also had mini voodoo dolls that they threw out to the crowd to catch at the end of their show, which was super neat! Phenomy were my favorite band that night. Love love love.
Lastly, I would like to thank Skull Session for this beautiful experience and their hardworking efforts to keep this scene alive and strong. We are all grateful to have such people who care and support our local bands. Until next year!
Lebanon’s biggest Metal Concert in recent years is back with its third edition, Skull Session 2018 – The Underground. This year’s installment will feature five local bands. Four of which are well established bands and one fresh out of the oven as the opening act. Continue reading
After four years of absence, Metal is back to Byblos International Festival with Tarja Turunen. The Metal diva, who rose to fame as the lead singer of the Finnish Symphonic Metal band Nightwish, is coming to Lebanon this summer. Continue reading
New comers, Prominence, released their first song, four months ago and it features none other than Derek Roddy (ex-Nile, ex-Hate Eternal, Serpents Rise) behind the kit.
Prominence is a new Death Metal band from Lebanon formed less than a year ago. It was gathered by Rock INsight Organization‘s founder and ex-Within Destruction drummer Jack Khamo. After several posts and teasers, Prominence released their first single “Slaughter of Dreams”. The song was composed and written by Khamo himself. But on this song, Jack decided to record the guitar and the bass rather than the drums, leaving that mission to the DW drummer Derek Roddy. Joining him as well on the guitars are guitarists Matt Lawand and Albert Obeid.
As the line up of Prominence was shaky, the band performed with Albert Obeid during Metal United World Wide Event but as a session guitarist. The band have put up a great show with Albert giving it all on the axe.
A few days ago only, the band announced their newest member, Maurice Semaan, with a post that reads:
“Ladies and gentlemen! We introduce you our new axe-man! Mr. Maurice Semaan! Welcome to the family brother! Another big news coming your way next week, stay tuned and stay metal \m/”
Prominence updated line up is: Maurice Semaan (Guitar), Matt Lawand (Guitar), Sergio Ashjian (Bass), Jack Khamo (Drums), and Nareg Cherchian (Vocals).
“Slaughter of Dreams” featured the legend Derek Roddy ( ex-Nile, ex-Hate Eternal, Serpents Rise) on drums. The song was recorded by all band members (Jack Khamo, Matt ML, Sergio Ashjian, Nareg Cherchian) and our friend Albert Obeid. The song was recorded with Anwar Habib and Triptych Studio.
Prominence was announced to perform in this year’s edition of Beirut Metal Fest on September 7th at Porsche Factory Beirut. The festival will be headlined by Death Metallers Decapitated.
Want to join Metal Bell? We are looking for authors, photographers, and designers.
Performing the greatest hits from Pink Floyd’s conceptual masterpiece ‘The Wall’, as well as fan favorites from The Dark Side of the Moon, Wish You Were Here, Meddle, The Division Bell, and more… Brick Floyd LIVE In The Flesh at Beirut Open Space.
Keeping true with the live Floydian tradition of captivating lighting, visuals and music, Brick Floyd‘s spectacular performance and production truly captures the Floyd experience, that is sure to take you back in time and leave you mesmerized.
You won’t want to miss this exciting night! Join us June Friday 29th & bring your friends!
Metal United World Wide is a community project for the Metal World. There will be shows all over the world on 5 May 2018 – metal shows in the same night under the same banner. A night of united metal! \m/
Alchemy Media – ARTES Negras Prod. – uy – Broken PromotionsCatafilaprod – Crossbones Denebola Producciones Desolation Dividing The Element Eastern Hammer Productions Emalyth Productions Familia Productions FLYzone Fusion Concert Agency Heavy and The Beast Immortal Productions Jam! Events Kaprikorn Promo Le La Hell Lemmy Productions Macabra Records Mad Hard Ride Promotions Metal 4 Africa Metal Road Metal-Roos Metalheads United Metallurg No Wasted Records Store Noches De Culto Noise Metal Fest One More Page Open The Road Agency Pan Promotions Pasuruan Under Division Pluteras Records Pub Metal Productions Rock Zona Kazakhstan Rockfest Mozambique Scarab Soulgrinder Zine Talent Nation The Primos The Sick Room Radio Thola THP Production Thrashirts Tritones Music Vent Box Productions Vilko Promotions Wacken Open Air
PR Partners:
Asher Media Relations Black-Roos Entertainment Clawhammer PR Domino Media Agency Grand Sounds Promotion Plug Music Agency Rock ‘n’ Growl
Label Partners:
Black Lion Records Inverse Records Ragnorök Records Sliptrick Records Worm Hole Death Records
A Goth-themed wedding took place in Lebanon last week and it was beautiful. Goth weddings is not a new thing in the world but it is definitely new to the eyes of Lebanese people.
Last Sunday, a wedding with a different flavor took place in Lebanon. On March 18, Dina Kayali and tattoo artist Nadim Zalloum tied the knot in the Syriac Church in the village of Ballouneh. Continue reading
For those of you who don’t know them yet, Slave to Sirens are an all-female thrash metal band from Lebanon, who came out a little over 2 years ago. Their first performance was during Metal Bell Magazine’s “The Thrash Alliance” affiliated event. (Photos of Slave to Sirens first appearance can be found here.)Continue reading
