Grave, one of the pioneering Swedish death metal bands, performed on Lebanese territory for the first time on October 7th along with 4 Lebanese bands at Minus 5, Mkalles.
Aces High and FreeFall took on the renovated Quadrangle stage and gave us a show which they entitled “The Resurrection”.
Ten years after their split-up, Hamra-based Nightchains decided to have a reunion with the original vocalist Max to take the lead. The event was a one-time deal, no signs or announcement of a possible reunion of the band.
On Saturday November 6, we arrived only to find a few people gathered in front of the venue. The crowd wasn’t much during the event either, maybe around 60 people showed up. And it is a shame, because the event was a true Metal night, a night to remember.
Before getting into the band performances, I would like to talk briefly about the light and sound. Wait! What light? There was actually none; some red and blue dots and a stroboscope that didn’t help much in setting up the mood for the event. But the sound on the other hand was great, raw, clean, harsh, and perfect for the evening.
The openers were Agressor! Who are those guys? Well, we know Mohamad Younis (Nightchains drummer who was playing the guitars and vocals). But I never knew they existed and they don’t even have a Facebook page; it seemed to me they were only formed for this particular event as a one-time band. But let me tell you, they were crazy good. A great well-fit performance with great attitude.
Then came out the headliners, Nightchains. Again, it is a pity that only a few got to witness this. The band is top-notch; they have the best crowd-band interaction you can ever see. The lack of an actual stage helped too. The band were at the level of the crowd as if they were performing in between them, which gave the impression of a Big Happy family. The most remarkable thing was that people reacted much more to the originals of Nightchains than anything else I have seen. Some were singing along, others were screaming high pitches with Max.
Max was a power force on the microphone, and his attitude was really enjoyable: jokes, laughter, and heavy singing. We actually didn’t feel we were at a concert, we rather felt that we were a part of it, and that’s all due to the charisma of the band leader and musicians. Tex was flawless on his guitar, giving those crazy old school solos with his authentic guitar sound; nothing can be any better. I enjoyed Mohammad Younis’s drumming the most; it is fast, hard, and well, the beat makes you headbang. Rami Hawila did an incredible job on the bass as well; he completed and filled in for the guitar while keeping up the tempo of the songs intact.
Now for the best part: THE CROWD. There is no successful concert with a lame crowd, and Nightchains fans are not lame at all. The moshing didn’t stop, the headbanging didn’t stop, and they were the last ring to complete the “Chain”. An incredible crowd indeed.
In short, it was a night for the ages, and whoever didn’t come, missed a lot. And you might say I am exaggerating, but really, maybe you have to see it with your own eyes to believe it.
The band was formed during the year 2003 and split up just short of 3 years later in 2006. Nightchains managed to self-release a low produced album entitled “Metal To The Bones” that was recorded live with no further mixing or mastering. Metal To The Bones sounds similar to early Metallica, and Paul Di’anno’s Iron Maiden with a Manowarian spirit in the lyrics and composition, and a little bit of Judas Priest here and there. In 2010, the band resurfaced on social media and the album was re-released through DEAD MASTER’S BEAT.
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