Category: REVIEWS (page 2 of 7)

Helloween Chameleon Review

Helloween Chameleon Review!

Band Name: Helloween
Album Title: Chameleon
Genre: Power Metal
Year: 1993
Origin: Germany
Length: 71:13

Helloween Chameleon Review

Misunderstood, underrated, and underappreciated are the verbs to describe Helloween’s 1993 album, Chameleon. At this point, Helloween had not one, but two big hits with their dual albums in the form of “Keepers of the Seven Keys Part I and Part II”. It’s going to be hard for the band to have better follow-ups. “Pink Bubbles Go Ape”, such a strange album title name, was decent with some good to even great songs, but it’s been awfully forgotten. But now, we have “Chameleon”, which, at this point, Kai Hansen had already departed and Michael Kiske on the borderline of leaving the band, got snuffed by many who considered the album the worst Helloween album yet. I, personally, disagree. 

 

It’s very interesting that each track has its own rules like the song “When The Sinners” which has a very Bon-Jovi-esque Hard Rock vibe to it, but still enjoyably to listen to. “First Time” is a very solid opener but the middle section of the album has a solid streak of excellent songs starting from “Crazy Cat” which is weird but highly energetic with its explosive chorus but then, you have “Giants” which is an incredible song. “Giants” is the best song on the album with pounding guitars and even an epic feel to it. It sounds special compared to the other songs on the album and sounds something you could hear from the “Keeper” records. The only gripe that I have against this album is that there are 3 to 4 ballads which may not favor everyone. My favorite ballad is “Windmill” which is surprisingly calm and soothing yet beautifully written and has its charm. So, those three tracks are the highlight of the album with really excellent music back-to-back. “In The Night” sounds like 60’s rock ‘n’ roll which feels very Elvis-ish, which does not technically work.

 

The last portion of the album goes into epic length territories with “Music” hitting the 7-minute mark which is musically impressive with some great vocal delivery from Kiske and the guitar soloing is incredible. “Step Out of Hell” is fun and quite sunny, which is the best way to describe this song. The album switches from Power Metal to Pop/Rock or even Rock ‘n’ Roll. Some songs do work, others are just “meh”.  “I Believe” is the longest track clocking in 9 minutes and it’s as impressive with its mood and atmosphere. There’s something creatively composed in the song and guitar soloing is brilliant.

Overall, effort has been put throughout the album and it does show. It may not be appealing at a first listen but needs to be given several chances until it does have some quality music. The album’s reception by many has been unfair to describe it as Helloween’s “St. Anger” which is not NEARLY as bad as that album. If it didn’t work out the first time, it’s worth giving it many spins to witness that it isn’t as bad as many had perceived it. As I’m listening to it right now, I’m enjoying it. So, take it as it is… as for me, it’s a really damn good album with a fantastic track called “Giants”.

 

Final score: 74/100

-Review By: Simon Nader


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NERVECELL – PAST PRESENT TORTURE Album Review (77.5/100)

About Nervecell

Formed in 2000 as one of the first extreme metal bands to emerge from Dubai, U.A.E. and having supported legendary metal bands such as Metallica, Morbid Angel, Deicide, and Suffocation, Nervecell have become the most prominent band to arise from the Middle East and truly are the torchbearers for a Middle Eastern wave of metal. Delivering a unique blend of Middle Eastern death/thrash metal, and maintaining a reputation for highly energetic live performances. Continue reading

Grave Live In Lebanon | Concert Review

Grave, one of the pioneering Swedish death metal bands, performed on Lebanese territory for the first time on October 7th along with 4 Lebanese bands at Minus 5, Mkalles.

Continue reading

Review | Summer Jam 2017

There’s no better way for me to start this off except by saying that Summer Jam 2017 was absolutely thrilling, with its amazing performances, entertaining performers, and professional management by Maggie Varbedian.

The night kicked off with an acoustic set performed by Generation Gap’s front man, Jovan Jabbour, and then proceeded with the rest of the band. They started off with an original of their own, called “Neithen”, followed by a few covers, and ended their set with Marilyn Manson’s crowd-pleasing track “Sweet Dreams”. Despite the fact that the band’s front man was suffering from minor vocal difficulties, they still delivered a kick-ass performance. Way to go guys!

Next in line was Maurice Semaan, who was the biggest reason behind this event. Maurice performed a total of four songs, one of which was a tribute to his fiancée, Maggie Varbedian. The crowd was seized by the melody and beauty of the song as it was absolutely heartwarming. Some of the guests said, and I quote “that was beautiful, it brought tears to my eyes”.

After that, for a night of memories was Nidal Ghannam, aka Nino, a talented guitarist who got everyone up on their feet, chanting as high as they could. His performance was a real switcheroo to what was expected by the Quadrangle guests! Nidal delivered a destructive performance and was admired by all the spectators (nicely done man).

And then there was Oussama Mash aka Ossy. His performance was not less than impressive and riveting. In between songs, Oussama dedicated a song to his wife in the audience, leaving her speechless. I personally noticed smiling throughout the whole song. The crowd gave it a thumbs up along with a headbang.

And last but never the least, it was time for Adnan Jabbado! Now this is a guy I’d pay to see, because he’s a musician, comedian, and crowd pleaser. He started off with the Game of Thrones theme song, saying in between that episode 4 has been leaked and started the show before he could get ambushed, followed by the all-time crowd seizer “Pirates of the Caribbean” theme song.

In conclusion, the event was flawless, all thanks to Maggie Varbedian’s excellent management and Maurice Semaan’s technical aide during this whole thing, co-founders of Sledgehammer Production (you guys rule!!!). A special thanks to the sound engineer for his spotless work, the sound system and night couldn’t have been any better.

– Tarek Sekkar

Click Here For Full GALLERY OF SUMMER JAM 2017

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Dream Theater In Dubai Review

Dream Theater In Dubai Review

October 6 was the date many metal-heads were waiting for, knowing that they will witness one of the best bands of all time. A band that might be one of the reasons behind many of us wanting to become musicians and play our hearts out exactly the way they taught us to do. Continue reading

Fall Of Summer Festival 2017 Review

Fall Of Summer Festival 2017 Review!

This was my first time attending Fall of Summer fest in the Parisian region, it is located in a city called Torcy, which is 30 minutes away from Paris, by car. Continue reading

Skull Session 2017 ONSLAUGHT Live In Beirut REVIEW

ONSLAUGHT Live In Beirut REVIEW!

Last year, when Blaakyum were touring Europe alongside the almighty Onslaught, none of us thought we’d get to catch them on home turf. So once it was announced that ONSLAUGHT would be headlining this year’s edition of Skull Session at Station Beirut, we all guessed it was going to be big. Especially when the line-up was composed of other great bands such as Blaakyum, Damage Rite, and Slave To Sirens. Continue reading

Eden Sworn Obedience Prerelease Review By MOLOCH

Eden Sworn Obedience Prerelease Review by MOLOCH!

Eden Sworn Obedience is the latest release of malevolent sonic energy from the Phoenician shores.

The Lebanese thrash quartet’s debut, is a 5-song mini CD with a sixth song, ‘Penetration’ which is a Nefilim cover and a couple of additional demo tracks added as bonuses. Continue reading

Hellfest 2017 Review | Europe’s Biggest Rock And Metal Festival

Another Hellfest and another unforgettable experience! It’s interesting how the moment you leave Hellfest on Sunday night, you start thinking about what to expect next year. Read below my Hellfest 2017 Review! Continue reading

ECSTASY KILLED THE ANARCHY | Reviewed

ECSTASY KILLED THE ANARCHY!
From the moment we arrived to the middle of nowhere, sarcastically, it felt like Home.

Nature embraced the scene and good music took refuge in the arms of holy mother nature. The good scenery, alongside the smells of fresh air and great beer, was the perfect place to be.

And the event’s “venue” couldn’t have gotten more punk. From the anti-ohm signs that directly alerted the hippies that this was no psychedelic ground to the DIY venue.

The river and its side were great and the tents of fellow camping metalheads were scattered all around it.
Soon afterwards, a fire was built and the animal-tolerant BBQ began. And we feasted amongst nature’s crowned lands. And it felt just right.
And finally, once the moon was lighting the skies and the soundcheck was over, it was time for the valley to acknowledge the great music presented by the bands.

ECSTASY KILLED THE ANARCHY

Photo credit to: Selfish Gene

DIY started the concert with their well-known punk music setting the mood for great hardcore music. The headbanging began and the moshpits scattered all around right in the middle of the valley as no one was safe from the moshing! Covering a lot of ground from new originals to classic known covers such as Bite It You Scum and the event’s theme song ECSTASY KILLED THE ANARCHY.

Next were Black Leather, a new band with an old sound. The newcomers directly shifted the crowd from great hardcore music to good ol’ Rock N’ Roll. They went from a groove that introduced the crowd to the band, ending it with the awesome HighWay Demon. The band took us back in time to the magnificent rock music of the 80s.

Last but not least, came the almighty thrashers Agressor. The headbanging was back more than ever and the moshpits were nonstop. Starting it with their usual Willfully Blind, transferring the crowd back to old school thrash metal. And as a finale, the performance was ended with my all-time favorite TOXIC KARABALAA, leading to the formation of one of the most brutal moshpits I’ve been in.

Once the clock hit 12, the concert was done, but the night was still young, for we gathered around the fire playing unplugged guitar and warming our bodies with good Scottish fuel.

A new day welcomed us by the rising of the sun, and we fueled our bodies once again as we set to leave.
This event was worked hard upon and I’d like to raise a toast for the awesome men that helped make it happen.

Rock on \m/

Check out original event link >here<.

ECSTASY KILLED THE ANARCHY REVIEW GALLERY!

All photos are credited to Selfish Gene and Reema Harfouch

 

-Mohamad Yateem
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