Category: REVIEWS (page 1 of 4)

The Resurrection | Event Review

Aces High and FreeFall took on the renovated Quadrangle stage and gave us a show which they entitled “The Resurrection”.

Continue reading

SVENGALI Unscathed – Album Review

SVENGALI Unscathed Album Review Originally Published in Issue 5 Pages 18-19

Dubai’s Svengali have officially released their debut EP, “Unscathed”. A project initiated by Adnan Mryhij and Fadi Al Shami. Continue reading

Katatonia Live In Dubai – Event Review

The night everyone was waiting for: The Swedish metal band in Dubai! JoScene announced it earlier in December 2016 and everyone went crazy. It was hosted again in the almighty The Music Room. This is not the first visit for Katatonia to the Middle East as they took part in Beirut Rock Fest in 2011 at the stage of the Roman Amphitheater in Zouk Mikael, but it surely is the first time in the Emirates. Without further ado, let’s jump in the review you’ve been waiting for.

Benevolent, the extreme metal Dubai band, went on first. The room was already packed and since these guys have been around, the audience knew them by heart, to the extent that people showed up earlier just for them. The band played seven tracks; most of them were from their album The Covenant, such as ‘Void’, ‘Asphyxia’, and the highlight of their night: ‘The Seeker’. It’s important to mention how professional they were in their sound system. I don’t know if the sound quality was unusually good that night in the Music Room, but overall, they gave an amazing performance and had every element of professionalism.

Next in line was Bilocate, a Jordanian band with a history of rejection in their home country and other Middle Eastern countries, but were welcome with open arms in Dubai, performing 2 years ago with Metal East Records in the Music Room – read about it here.

The band is a blend of multiple genres of metal; the mixture of doom, melodic, and death/doom, unique vocal ranges, complex rhythm, and overall loudness are what make Bilocate. The stage performance was wild and it felt like a union between the beauty of Opeth and the aggression of death metal blended together to create a balance of beauty and power of the metal genre. However, the audience engagement wasn’t as good. Maybe they were saving their energy to Katatonia? Most people went back and chilled after Benevolent although these guys gave their all. They played six tracks ranging from all albums, such as ‘The Tragedy Within’, ‘A Desire to Leave’, plus one cover by Paradise Lost, ‘Dead Emotion’, which was also recorded in their latest album, Summoning the Bygones, in 2012. Honestly, I’m waiting for something from these guys soon.

Finally, the band everyone in Dubai was waiting for, Katatonia, which I don’t think needs to be introduced. The Doom/Death Metal band have been around since 1993 and have 10 albums, the last released in 2016: The Fall of Hearts.

Now, before digging into the review, it’s worth mentioning that in past live performances, they were characterized by a lack of strength in Jonas’ live vocals in contrast to his recorded versions, so I was a bit worried that their live shows were not as good as the recorded versions. But that day changed my mind; they were 100 times better than I expected. The sound quality and vocals were so good that it felt like listening to their recorded versions. Katatonia’s stage performance was intense and didn’t leave out any aspect of Doom and Melodic Metal unvisited, it was magical to be honest and gave the dark atmosphere of the club a majestic light. They played 15 tracks, which was a good long list to have, mostly ranging from their last four albums since 2006 till their latest in 2016. They started their setlist with ‘Last Song before the Fade’ and ended with ‘Forsaker’. Check out the whole list here:

  1. Last Song Before the Fade
  2. Deliberation
  3. Serien
  4. Dead Letters
  5. Day and then the Shade
  6. Serac
  7. Teargas
  8. Evidence
  9. New Night
  10. Soils Song
  11. Old Heart Falls
  12. For My Demons
  13. Leaders
  14. In the White
  15. Forsaker

The band had an extremely energetic presence, which was met by a powerful crowd who knew the songs by heart.

That night was definitely a night to be looking forward to and whoever missed it, oh you missed a lot. Kudos to JoScene for their efforts in bringing these bands and growing out the metal scene in the Middle East.

Check out upcoming events in Dubai:

Some photos in the article are reserved by: Jeffrey Pabroquez
Check out all photos of the event here.
Written by: Reem Jay
Edited by: NJ Bakr and Davina (Metal Bell)


Want to join Metal Bell? We are looking for authors, editors, reviewers, photographers, and designers.
Send an email to: joinus[@]

What do you think? Leave a Comment


BLAAKYUM Line Of Fear: A Remarkable Evolution – (9.2/10)

BLAAKYUM Line Of Fear – (9.2/10)

BLAAKYUM Line Of FearWe’ve come a long way from the competent but uninteresting ‘Lord of the Night’. Where the debut draws heavily from every outside influence, ‘Line of Fear’ draws inspiration from within, meaning Lebanese history, culture, and mythos. Where the traditional percussion of the ‘derbakke’ was mostly filler in the debut, it is now a major contributor to the overall mood of ‘Line of Fear’. The overall mood is now enhanced manifold, not just due to the addition of this oriental instrument, but by the perfected alchemy of all instruments with the vocals, providing a solid structure and form, fused with meaningful folk lyrics.

‘Line of Fear’ tackles a schizophrenic society in the grips of an identity and political crisis, religion, rebirth and the ancient origins of Lebanon, namely its pagan patron god. It frenziedly claws to uncover the buried identity of a slumbering, lethargic people who need to wake up and reconnect with their roots.


For 40 minutes, Blaakyum doesn’t let up, and despite the thrashing heaviness and speed of the genre, manages to deliver an intricately crafted beast that also sounds elegant. Not brutal. ELEGANT; speed, strength, and power are dealt effortlessly, yet passionately. Each of the album’s 8 slabs displays surprising variation, be it in the shifting vocal performance of Bassem Deaibess or the oriental intros that make way for the arsenal of riffs that will unmistakably show up. The cadence alternates between atmospheric oriental breaks and relentless guitar assaults that feel like waves of armies assaulting the citadel of your senses. Baal-Adon is pleased and smiles from his shiny pantheon as Blaakyum wails and roars sonic adoration into his divine ears.

This is, arguably, the first folk-oriented Lebanese metal album that really matters. It easily avoids the stigma of linearity attributed to the thrash genre, by offering a stunning musical, rhythmic, and instrumental variation without ever sounding trite; every arrangement and each break was carefully thought out and planned, resulting into a living, breathing, organic, muscled, world class performance. It is a giant leap in musicianship and content, that comparing the first album to this one, is literally comparing 2 different bands. Get this album, not because it has an exotic percussion instrument. Not because it has great vocals and spotless guitar/bass/drum work, but because it has a soul and for that reason, it will continue to please and impress you for many more listens.



You can buy BLAAKYUM Line Of Fear album from:

iTunes | Amazon | | NAPSTER

Or from our Merchandise Stand during local events \m//

– Josef ‘Baal Moloch’ Haddad

Article originally published by our contributor writer Josef ‘Baal Moloch’ Haddad on Metal-Archive.

Want to join Metal Bell? We are looking for authors, editors, reviewers, photographers, and designers.

Send an email to: joinus[@]

Would you do something like this? Leave a Comment.



Ten years after their split-up, Hamra-based Nightchains decided to have a reunion with the original vocalist Max to take the lead. The event was a one-time deal, no signs or announcement of a possible reunion of the band.

On Saturday November 6, we arrived only to find a few people gathered in front of the venue. The crowd wasn’t much during the event either, maybe around 60 people showed up. And it is a shame, because the event was a true Metal night, a night to remember.

Before getting into the band performances, I would like to talk briefly about the light and sound. Wait! What light? There was actually none; some red and blue dots and a stroboscope that didn’t help much in setting up the mood for the event. But the sound on the other hand was great, raw, clean, harsh, and perfect for the evening.

The openers were Agressor! Who are those guys? Well, we know Mohamad Younis (Nightchains drummer who was playing the guitars and vocals). But I never knew they existed and they don’t even have a Facebook page; it seemed to me they were only formed for this particular event as a one-time band. But let me tell you, they were crazy good. A great well-fit performance with great attitude.

Then came out the headliners, Nightchains. Again, it is a pity that only a few got to witness this. The band is top-notch; they have the best crowd-band interaction you can ever see. The lack of an actual stage helped too. The band were at the level of the crowd as if they were performing in between them, which gave the impression of a Big Happy family. The most remarkable thing was that people reacted much more to the originals of Nightchains than anything else I have seen. Some were singing along, others were screaming high pitches with Max.

Max was a power force on the microphone, and his attitude was really enjoyable: jokes, laughter, and heavy singing. We actually didn’t feel we were at a concert, we rather felt that we were a part of it, and that’s all due to the charisma of the band leader and musicians. Tex was flawless on his guitar, giving those crazy old school solos with his authentic guitar sound; nothing can be any better. I enjoyed Mohammad Younis’s drumming the most; it is fast, hard, and well, the beat makes you headbang. Rami Hawila did an incredible job on the bass as well; he completed and filled in for the guitar while keeping up the tempo of the songs intact.

Now for the best part: THE CROWD. There is no successful concert with a lame crowd, and Nightchains fans are not lame at all. The moshing didn’t stop, the headbanging didn’t stop, and they were the last ring to complete the “Chain”. An incredible crowd indeed.

In short, it was a night for the ages, and whoever didn’t come, missed a lot. And you might say I am exaggerating, but really, maybe you have to see it with your own eyes to believe it.

About Nightchains

The band was formed during the year 2003 and split up just short of 3 years later in 2006. Nightchains managed to  self-release a low produced album entitled “Metal To The Bones” that was recorded live with no further mixing or mastering. Metal To The Bones sounds similar to early Metallica, and Paul Di’anno’s Iron Maiden with a Manowarian spirit in the lyrics and composition, and a little bit of Judas Priest here and there. In 2010, the band resurfaced on social media and the album was re-released through DEAD MASTER’S BEAT.

Connect with Nightchains:

Want to join Metal Bell? We are looking for authors, photographers, and designers.

Send an email to:

Would you do something like this? Leave a Comment.

Tanjaret Daghet Live At Metro | Review

Arriving a few minutes before the show started, I was struck by the size of the crowd and how hyped people were in Metro that night. The venue was packed to the point that we couldn’t even elbow our way past the crowd to get a bit closer to the stage.

Continue reading

HellFest 2016 Review – Clisson France

Every year in June Clisson becomes the destination for all metalheads around the globe, located in the Loire-Atlantique department in western France. Since its last year’s 10th anniversary celebration Hellfest started with a blast and all the credit goes to the incredible team behind the festival. the line-up of bands and the variety of the program was outstanding as always, over the three days over 150,000 fans gathered for Hellfest 2016.


The first day started with the Dutch female-fronted band Delain on the main stage, the charismatic Charlotte Wessels and Delain deliver a set of their best hits.

And over 6 stages, the usual 2 main stages joined by The Temple, Altar, Warzone and The Valley hosted a variety of bands such as MONOLORD, MOONREICH, AUDREY HORNE and NASHVILLE PUSSY which all delivered an awesome performance for the fans.

By midday the line-up started to heat up as HALESTORM stormed the main stage 1 with an intense show and next on the same stage ANTHRAX delivered a great show with so many classics that made the fans entertained all the way

On the other side of the festival fans enjoyed a great performances by VADER, OVERKILL, KILLSWITCH ENGAGE, ABBATH and TESTAMENT

The main headliners on the two main stages were THE OFFSPRING who closed the night for the first day but the main highlight was RAMMSTEIN, thousands of people started to gather an hour before the show just to get a good view for probably one of the best shows on earth, as the show was about to start it was hardly to move between the crowds, RAMMSTEIN started with the song RAMM 4 and finished with a Depeche Mode cover of their classic Stripped just to return for an encore which consisted of their classics Sonne, Amerika and Engel.

The spectacle of the show was as usual, intense and full of heat, incredible design theme that wowed the fans through out the whole setlist.

Hellfest 2016


Day two of HELLFEST started as early as 10:30 AM, it was a hot day and the line-up was even hotter, the four side stages hosted shows for variety of genres including bands MOONSORROW, TERRORIZER, NAPALM DEATH, DARK FUNERAL, ENTOMBED A.D. and FLESHGOD APOCALYPSE

And on the main stages the heat started around lunchtime when GLENN HUGHES delivered an awesome show full of his incredible high-pitched screams, and right after on the same stage SIXX AM lead by NIKKI SIXX and DJ ASHBA delivered an incredible show promoting their new album Prayers for the damned and also playing classics such as Life Is Beautiful.

FOREIGNER was up next on the main stage 1 who also performed a setlist full of their classics over 40 years career, the band ended their show with a great gesture by their frontman Kelly Hansen who said: with all this hatred around the world today let us celebrate the music who brought us all together, I want each person to put his right hand on the shoulder of the person next to them. All the fans embraced and signed their heart out to classic ballad I WANT TO KNOW WHAT LOVE IS.

As we were approaching the night JOE SATRIANI deliver a show from another planet, the fans were indeed surfing with an alien and on the main stage 2 DISTURBED performed a show that took the fans by surprise when the band performed Shout At The Devile, a MOTLEY CRUE cover joined by SIXX: AM on stage and right after they performed BABA O’RILEY by THE WHO also joined by another guest on stage, GLENN HUGHES

The highlight of the second night was of course TWISTED SISTER, it’s the band’s farewell show in France, no more TWISTED SISTER Which Dee Snider had a funny speech when he told the fans that’s it, 40 years and Fuck it, unlike Scorpions or Ozzy, that’s it for us, It’s the end of TWISTED SISTER, their show was entertaining and the fans shared the mic with Dee for classics such as (You Can’t Stop Rock n’Roll and We’re Not Gonna Take It, the show surprise was the tribute to LEMMY where Dee invited Phil Campbell on stage and performed MOTORHEAD’s Born To Raise Hell

Another highlight of the night was the night closure, HELLFEST had prepared a surprise end to the second night and we were al informed just shortly before it start’s through the HELLFEST mobile app, an incredible firework display in honor of the late LEMMY KILMISTER who passed earlier this year (RIP LEMMY) at the end the entire festival clapped and shouted for LEMMY.

Hellfest 2016


The third and last day of HELLFEST hosted a great list of bands on THE TEMPLE stage DEICIDE, ENSLAVED and TAKKE entertained the crowed while on the ALTAR Stage bands such as PARADISE LOST, KATATONIA and INSOMNIUM delivered a great performances and on the VALLEY AND WARZONE stages a different genres of bands such as PUCIFER, HEAVEN SHALL BURN, JANE’S ADDICTION and WALLS OF JERICHO burned their stages and gave the fans entertainment all day long

On the main stages it was busy the last day, very busy, I myself was running from stage one to stage two none stop just to catch what I can, there was really no time to breath, take break or go eat, the French band NIGHTMARE on the main stage 2 delivered a great performance with their new lead singer MAGALI LUYTEN.

DRAGONFORCE had a bad day and specially their new singer, a lot of problems and pauses during the show.

GOJIRA on the main stage 1 were on fire as usual, a great performance which was followed on the main stage two by BLIND GUARDIAN who delivered as usual one of the best power metal shows anyone can see, a lot of classic song such as THE BARD’S SONG where the entire crowd were singing along to it.

Up next was SLAYER on the main stage 1, the band looked a great shape with their new guitar player GARY HOLT and played a great set included South Of Heaven, Angel Of Death, Raining Blood and Mandatory Suicide.

On the main stage 2 Viking metal band AMON AMARTH delivered a fantastic and energetic show full of smoke, fire and dragons and as well as the biggest mosh pits anyone can think of.

Hellfest 2016

Thrash metal giants MEGADETH deliver an incredible performance with the new line-up and promoting the new album DYSTOPIA and also playing classics hits such as HOLY WARS, HANGER 18 and Dave Mustaine dedicated TRUST to his former band mate drummer NICK MENZA who passed earlier this year.

Swedish heavy metal band GHOST were up next just before the fans witness another emotional moment where it was time for BLACK SABBATH to hit the stage, another legends, the father’s of heavy metal are bidding farewell with their THE END tour is the last thing we will ever see from BLACK SABBATH, the band was in great shape, OZZY, IOMMI and BUTLER were on fire, delivered a performance that the fans will always remember.

The closure of the third night and HELLFEST was lead by the almighty KING DIAMOND, what a show! The stage was incredibly decorated and with an unbelievable performance by KING DIAMOND as he was in a great shape and he sounded better than ever, I was entertained from the first minutes till the last with classics such as ABIGAIL, Sleepless Nights, Halloween, A Mansion In Darkness and The Possession, it was a great choice to conclude the festival.

As the lights were going down slowly people started marching to the camp sight where the party there will continue until morning, this is a HELLFEST tradition.

–  Sharbel Kanoun

Want to join Metal Bell? We are looking for authors, editors, reviewers, photographers, and designers.
Send an email to: joinus[@]


Jim Beam Rocks 2016 – The Review

The famous Bourbon maker Jim Beam strikes again with its annual rock concerts JIM BEAM ROCKS featuring multiple local bands and an international guest.

This year’s edition included ADONIS, AMY SMACK DADDY, GENERATION ZEE, MADINAT, POSTCARDS, The JLP Show, WonderGaap, and last but not least, Ex-Guns N’ Roses GILBY CLARKE. Continue reading

Filter Happier Trying To Rush Everything EP Review (8/10)

Filter Happier is a five-piece Post-Rock band previously known as Banana Elephent. Formed in Beirut in 2013, consisting of Elie Abdelnour (bass), Camille Cabbabé (guitar), Elie El Khoury (drums), Georgy Flouty (guitar and vocals), and Ada Harb (vocals and keys).  Filter Happier – Trying To Rush Everything EP was released on July 16th 2016. Read Review  below.

Continue reading

FILTER HAPPIER | Trying To Rush Everything – EP Release

The 16th of July was a great night for the band FILTER HAPPIER (previously known as Banana Elephant), as not only did they give their audience a wonderful performance, but their first appearance as a new band was made, and their first EP, released.


Although entering the event was a long wait, the atmosphere of the venue was very soothing, as people moved their feet to the flashing lights of the dance floor, while others drank and conversed to the refreshing breeze of the refurbished upper floor of The Grand Factory. The sound system was clearly audible throughout the whole venue, and still allowed people to carry on a decent conversation. With that, the Grand Factory proved to be a very convenient location that complemented both the vibes of FILTER HAPPIER and the musical style of “Trying To Rush Everything“, the newly released EP.

Set List:

  1. Intro
  2. YSF
  3. Circles
  4. Drown
  5. Glow
  6. Dust
  7. Tomorrow (Daughter cover)
  8. Home
  9. A dark
  10. Radiobed

Before Filter Happier punctually made their way to the stage, people grabbed their drinks from the bar, while some danced to the DJ’s great set-list, and others socialized for the sake of a good night. With a decent venue, also came a great performance. The only thing that needs to be worked on is the band’s transitions from song to song and their tension on stage (which will inevitably subside and improve with time), as it was a slight setback to the atmosphere of the music. Regardless, most of the audience swayed to the sound of the music and found it quite difficult to wipe the smile they had off of their faces. And considering the band’s transition from Banana Elephant to Filter Happier, that is an excellent sign.

Filter Happier

The musical genre of the EP is also very compatible with the name of the band, as it touches at dream pop, shoegaze, and post-rock, and gives off quite the euphoric feel (we will post a full review about the EP soon, so stay tuned). The microphone seemed to give the band some trouble towards the beginning of the show, but that didn’t stop them from giving a killer performance, as the technical difficulty was hard to notice. The show was crowned by the band’s exceptional energy and magical connection with the crowd, and was followed by C U NXT SAT’s exhilarating DJ line-up .

The feedback from the audience was also very great, and everyone seemed to be having an ecstatic Saturday night. With that, your fans are surely awaiting your next gig and what is yet to come. The Metal Bell team wishes you the best of luck on the rest of your musical journey!

Filter Happier will be performing at WICKERPARK Music Festival Saturday September 10, 2016.

Band Members:

Ada Harb (Vocals)
Camille Cabbabé (Guitar)
Elie Abdelnour (Bass and Vocals)
Elie El Khoury (Drums)
Georgy Flouty (Guitar and Vocals)

– Dany Ayyash.

Read more by: Dany Ayyash

Want to join Metal Bell? We are looking for authors, photographers, and designers.

Send an email to:

What do you think? Leave a Comment.

Editor’s Picks:

FILTER HAPPIER | Trying To Rush Everything EP Release

Older posts

© 2017 Metal Bell Magazine

Theme by Anders NorenUp ↑